Category: Troy in Pop Culture

Marginalia 3.18.2012

I thought I might pass along a few of the Classical news, notes, and features that caught my attention this week during my perambulations around the internet (aka the intertextus internationalis instrumentorum computatoriorum (LRL) or interrete, if you prefer).

  • Phone Homer: “Noted video and performing artist Michelle Ellsworth unleashes a one woman, multimedia portrayal of Clytemnestra, the woman left behind as her husband Agamemnon serves as leader of the Greeks in Troy. In Phone Homer she uses series of instructional videos, Skype calls with characters from The Iliad, a kinetic alphabet modeled after the Kinect, hamburger sacrifices, and an entire internet constructed specifically for this show to interpret this mythic character…”
  • Santiago Ortiz visualizes the relationships between characters in the Iliad as a network diagram and a streamgraph (below). Check it out!

 

Muhammad Ali, Joe Frazier and the “Kalos”

Eris on an Attic plate, ca. 575-525 BC

In class today, I mention that the golden apple thrown among the goddesses at the wedding of Peleus and Thetis was inscribed with a single word: kallistei (????????) or “for the fairest”. Kalos represents a very complex idea in Greek thought, but one that we might render as “sexy nobility”. (or maybe “noble sexiness”… “noblexiness”?) Over lunch I happened to be re-reading what is considered by most to be the greatest piece of short-form sports writing since Pindar, Mark Kram’s account of the third bout between Ali and Joe Frazier, the a.k.a the Thrilla in Manila. In light of today’s class, this paragraph had special force:

“Ali’s version of death began about 10:45 a.m. on Oct. 1 in Manila. Up to then his attitude had been almost frivolous. He would simply not accept Joe Frazier as a man or as a fighter, despite the bitter lesson Frazier had given him in their first savage meeting. Esthetics govern all of Ali’s actions and conclusions; the way a man looks, the way he moves is what interests Ali. By Ali’s standards, Frazier was not pretty as a man and without semblance of style as a fighter. Frazier was an affront to beauty, to Ali’s own beauty as well as to his precious concept of how a good fighter should move. Ali did not hate Frazier, but he viewed him with the contempt of a man who cannot bear anything short of physical and professional perfection.”

Ali, who turns 70 today, knew the kalos.

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Muhammad Ali versus Sonny Liston [1965. Photographer: Donald L. Robinson

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